• Fatemeh_Mehdi




    ChannelDraw Artist/Activist blog,

    Fatemeh Ekhtesari and Mehdi Mousavi


  • CAMP - Center for Art on Migration Politics




    CAMP - Center for Art on Migration Politics

    by Tone Olaf Nielsen

  • nefise




    Nefise Özkal Lorentzen,

    A Balloon for Allah: Women and Islam


  • soueid




    Mohamed Soueid,

    Cinema Fouad

  • lamia




    Zoukak, Nes Bsamne w Nes Bzeit, Lamia Abi Azar

    Photo by Randa Mirza


  • parsa




    Javad Parsa,

    Iran’s Basij Militia

Prologue 3: “Art Activism - Feminism - Transcultural Movements

A conversation about current feminist perspectives in Scandinavia and the Middle East.

In collaboration with the Intercultural Museum, First Supper Symposium (FSS) is organizing a symposium in Grønland, Oslo on Saturday 21st October 2017 and workshops on Sunday 22nd. We will be discussing feminism and art from a Scandinavian perspective versus Middle Eastern points of view. The symposium consists of a main debate involving both established and unestablished international as well as Scandinavian key figures from within the field. There will also be a program running parallel and on a smaller scale for which the more sensitive and specific themes are reserved.  With Prologue 3 we endeavour to activate dialogue and discussions around the question of how feminism can be understood aesthetically from various cultural perspectives, and how feminist movements in the Middle East can contribute to a new understanding of the term when put in the Scandinavian transcultural context.

Scheduled participants are Manal AlDowayan (SA),  Bruce W. Ferguson (USA), Nefise Özkal Lorentzen (NO),Tone Olaf Nielsen (DK),Morten Sortodden (NO), Mohamed Soueid (UAE),Javad Parsa, (IR), Fatemeh Ekhtesari (IR), Mehdi Mousavi (IR), Amina Sahan, (NO) and Lamia Abi Azar (LB).

The moderator will be Marianne Bøe (UiB, NO)

Prologue 3 will focus on the meeting of Scandinavian and Middle-Eastern cultures seen from their respective aesthetic expressions and practices. The following questions will be asked:

How do artists who live in, or whose background is the Middle-East, visualize and thematize their understanding of feminism and how is this perspective met in Scandinavia and Norway?

Can the artistic perspectives shed light on and add to a more nuanced outlook on the integration debate in Norway?  

By looking at the transcultural development in our society from an aesthetic perspective - can we open for new knowledge and a more nuanced dialogue in the areas of women’s rights, integration, cultural identity and the relevance of art in social change?